| Create Your Own Lapis Lazuli Effect |
| MATERIALS |
| 1 part glaze |
| 3 parts French (synthetic) Ultramarine paint acrylic or oil |
| 1/2 part white mineral spirits (to stop the mixture from being too sticky) |
| Gold powder (bronze powder) |
| Gloss varnish |
| Beeswax to soften |
| EQUIPMENT |
| Larger fitch brush for laying in the color |
| Mutton cloth |
| Badger softening brush |
| Small fitch brush for spattering |
| Small fitch brush for splattering gold powder |
First you will need to choose a surface that you would like to create the
effect of the lapis lazuli stone. You may choose smaller objects
such as boxes or picture frames, or possibly choose to create the effect
of inlaid lapis on a piece of furniture. It is completely up to
your own discretion.
Once you have the object you wish to paint, you should either mask off
the specific area, or prep the entire surface with a white gesso and allow
to dry thoroughly. When you are ready to begin painting, you
should keep in mind that the lapis lazuli stone has a drifting Milky Way
effect with both very dark and bright areas. What gives the stone
its distinction are the flecked and spattered areas with drifting specks
of gold pyrite.
| Follow these seven steps to create your stone finish. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 102.) |
1. Mix your French ultramarine acrylic or oil paint with some glaze using very little white mineral spirit to dilute. Brush on the central areas of the surface. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 102.) |
2. Paint in the remaining areas with a mixture of French Ultramarine and Burnt umber pigment. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 102.) |
3. Mutton cloth the surface to eradicate brush marks. The blue should look celestial, clear, and translucent. Soften with a badger hair brush. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 103.) |
4. Mix three tones of blue pigment, using French Ultramarine, Titanium White, and Burnt Umber. Finely spatter the surface in drifts, like the Milky Way. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 103.) |
5. Spatter the lightest tone of pigment by pulling back the bristles of the brush with your index finger. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 103.) |
6. Very gently, flick a little gold powder in drifts to simulate the flecks of the iron pyrite inclusions. |
(Scanned photograph from Sloan & Gwynn, 1990, p. 103.) 7.
If everything goes as planned your final effect should have the feeling
and depth of the actual stone lapis lazuli. Keep in mind you
can alter the shade of your stone by adding more or less of a given
pigment.
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